
Title: Layers A Slow Exposure Movement Photo Print By Artist Roee Rozen
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Artist: N/A
Period: Contemporary
History: N/A
Origin: N/A
Condition: Museum Quality
Item Date: 2010
Item ID: 4151
Limited Edition 1\10 Lambda Print. Not framed. Signed on the back + COE - Certificate Of Authentication. Technic : Slow exposure during movment. No graphic program manipulation.Larger sizes are available. Specializes in a unique technic of slow exposure during movement. Autodidact Fine Art Photographer. Born 1975 in Kfar Vitkin Israel. Married and lives in Ramat Gan. Sometimes things looks better if you look at them differently. The camera gives me the ability to look at things differently. Art Photography for me is the best way to express life in a unique way. A point of view, which reflects on the ultimate connection between photographing and painting. What I try to do, is simply give life and nature a painted alternative. More soft and sensitive. Different. *All of the art is edited and chosen by us for its high quality and workmanship before posting. These collectibles have been selected with the artist & collector in mind. We are committed to enhancing our customer’s lives by discovering creating, and pointing out only the best art we can find in the world today. We Are Taste-Makers, Art Advisers, Consultants & Publishers Of Spectacular Art Stories. Our job is to be intermediaries between buyers and sellers. We are vetting for high end art patrons. We are determined to catalog the world's most exceptional art and share it with everyone.
Abstraction in photography emerged in the early 20th century as artists and photographers began to explore the medium's potential beyond mere representation. Influenced by modernist movements like Cubism, Futurism, and Constructivism, pioneers such as Alvin Langdon Coburn, László Moholy-Nagy, and Man Ray experimented with form, light, and composition to create images that emphasized pattern, texture, and visual rhythm over recognizable subjects. These photographers challenged the traditional role of photography as a tool for documentation, instead using techniques like photograms, double exposures, and extreme close-ups to evoke emotion and concept. Abstract photography continued to evolve throughout the 20th century, paralleling developments in abstract painting, and remains a dynamic field where artists use both analog and digital processes to explore perception and the boundaries of visual language.
Link: http://en.wikipedia.org/wiki/Photos
Most photographs are created using a camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process of creating photographs is called photography. (Photo) "representation by means of lines" or "drawing", together meaning "drawing with light". The first permanent photograph was made in 1825 by a French inventor, Joseph Nicéphore Niépce, building on a discovery by Johann Heinrich Schultz (1724): that a silver and chalk mixture darkens under exposure to light. Niépce and Louis Daguerre refined this process. Daguerre discovered that exposing the silver first to iodine vapor, before exposure to light, and then to mercury fumes after the photograph was taken, could form a latent image; bathing the plate in a salt bath then fixes the image. These ideas led to the famous daguerreotype.
The daguerreotype had its problems, notably the fragility of the resulting picture, and that it was a positive-only process and thus could not be re-printed. Inventors set about looking for improved processes that would be more practical. Several processes were introduced and used for a short time between Niépce's first image and the introduction of the collodion process in 1848. Collodion-based wet-glass plate negatives with prints made on albumen paper remained the preferred photographic method for some time, even after the introduction of the even more practical gelatin process in 1871. Adaptations of the gelatin process have remained the primary black-and-white photographic process to this day, differing primarily in the film material itself, originally glass and then a variety of flexible films. Color photography is almost as old as black-and-white, with early experiments dating to John Herschel's experiments with Anthotype from 1842, and Lippmann plate from 1891. Color photography became much more popular with the introduction of Autochrome Lumière in 1903, which was replaced by Kodachrome, Ilfochrome and similar processes. For many years these processes were used almost exclusively for transparencies (in slide projectors and similar devices), but color prints became popular with the introduction of the Chromogenic negative, which is the most-used system in the C-41 process. The needs of the movie industry have also introduced a host of special-purpose systems, perhaps the most well known being the now-rare Technicolor.